泛非主义在艺术和文学

黑色文明的毁灭通过总理威廉姆斯 A widely read classic exposition of the history of Africans on the continent--and the people of African descent in the United States and in the diaspora--this well researched analysis details the development of civiliza

泛非洲历史通过哈基姆Adi;玛丽舍伍德 泛非洲历史汇集了泛非主义思想家和积极分子从过去的英语和法语世界二百年。包括知名人物,如马尔科姆·艾克斯W.E.B.杜博斯及其他人了解他们,恩克鲁玛,马丁Delany,作者的原始研究不太知名的人物如Constance Cummings-John和杜丝泛非运动的穆罕默德·阿里揭示了令人兴奋的新方面。

黑人和一顶帽子通过科林•格兰特 新的平装本,这个开创性的传记捕获的全部扫描和史诗维度马库斯加维的生命,耀眼的成就和沉闷的流亡。格兰特显示,加维是一个矛盾的人:自学、诗歌审美家和厚脸皮的宣传者,列宁的崇拜者,花花公子给复杂的公共场所。最重要的是,他是一位精明的赞助商使用华丽唤起了非洲文明和解雇他的追随者们的想象力。黑人和一顶帽子恢复Garvey他作为黑人民族主义的创始人之一,20世纪的一个关键人物。“搜索、生动和(正如书名所暗示的)复杂的账户加维的简短而重要的生活。”--Steve Hahn, The New Republic "The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated." --New York Times Book Review "Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders." --Kirkus Reviews (Starred Review) "This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both." --Publishers Weekly (Starred Review) "Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspire devotion and hatred, adulation and fear." --Chicago Tribune "A monumental, nuanced and broadly sympathetic portrait." --Financial Times